Search results for: Hamilton

a group of performers huddled together around a table on stage

The Whys and Hows of Broadway Transfers

To the audience of a Broadway show, what’s being presented onstage is crisp, harmonious, and expertly crafted. But in most cases, the production has had a yearslong journey to that polished final product—a journey that often winds through one or more other theaters.

six girls wearing poofy pink costumes surrounding a man in a suit on stage

What Does “Broadway Choreography” Mean Today?

Broadway choreography has long been an amalgam of different social dances and forms like jazz, tap, and ballet. But today’s shows are increasingly using movement makers from genres outside the musical theater world altogether, like experimental dance (David Neumann, Annie-B Parson, Raja Feather Kelly), commercial dance (Sonya Tayeh, JaQuel Knight, Keone and Mari Madrid), modern dance (Camille A. Brown), and physical theater (Steven Hoggett).

a group of dancers on stage wearing all blue holding their hands outstretched above their heads

How Dance Artists are Fusing ASL With Choreography

For Deaf audiences, watching performances with traditional sign language interpretation can feel like watching a tennis match: Their focus has to toggle between whatever is happening onstage and the interpreter, often off to the side, who might be communicating what the music sounds like or what’s being said. That’s if the performance even has an interpreter, which all too often is not the case.

a male instructor teaching hip hop to students in a large studio

Should You Try a Summer Intensive in a New Dance Style?

On one hand, doubling down on your primary dance style could supercharge your progress going into the following school year. But when it comes to your overall growth as a dancer, is it better to try something new? There are pros and cons to both options.

A colorful collage of the 2024 25 to Watch, dancers from a breadth of dance styles.

Introducing Our 2024 “25 to Watch”

Electric performances, thought-provoking choreography, buzzy bodies of work—the artists on our annual list of dancers, choreographers, directors, and companies poised for a breakout share an uncanny knack for arresting attention. They’ve been turning heads while turning what’s expected—in a performance, from a career trajectory—on its head. We’re betting we’ll be seeing a lot more of them this year, and for many years to come.

A series of four images of Ephraim Sykes, an athletic Black man in his 30s. He poses against an off-white wall, variously leaning against it in counterbalance or creating dramatic shadows. He wears denim overalls over a bare chest, letting one strap fall off his shoulder, and bright sneaks.

Ephraim Sykes Is the Toast of Broadway and Beyond

His brilliant dancing and magnetic presence wowed Broadway in “Ain’t Too Proud”; landed him the lead (which he eventually relinquished) of “MJ: The Musical”; and will be on display in the title role of Tony Goldwyn and Savion Glover’s reimagined “Pal Joey” at New York City Center this month. But ask Ephraim Sykes for his story and he starts with, “My mother and father fell in love…” 

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