Paul Taylor’s Post Meridian was last performed 30 years ago, which is well before any of the company’s current dancers joined Paul Taylor Dance Company. In fact, it’s before some of the dancers were even born. Every step and extreme angle of the body in the dream-like world of the 1965 work will be fine-tuned […]

What’s better than one film about Rudolf Nureyev? Two films about Rudolf Nureyev! We’re excited to share that a feature-length documentary titled Nureyev is slated to make its North American premiere next month. Nureyev will be shown in major U.S. cities starting April 19, giving you just enough time time to brush up on your […]

When I was a young dancer in Louisville, Kentucky, my ballet teacher used to speak a lot about Merrill Ashley. She brought neoclassical technique to exquisite new heights under Balanchine, and as a technician, she famously paved the way for today’s balletic whiz kids. (Later, when I was a teenager, I was lucky enough to […]

We can all relate to the feeling: You go see a new dance work that you absolutely love, and when you get home, you have no choice but to create a bronze sculpture depicting the performance. Okay, maybe not. But in 1912, that’s exactly what Auguste Rodin did after seeing the premiere of Vaslav Nijinsky’s […]

When we’re talking about the history of black dancers in ballet, three names typically pop up: Raven Wilkinson at Ballet Russe de Monte Carlo, Janet Collins at New York’s Metropolitan Opera and Arthur Mitchell at New York City Ballet. But in the 1930s through 50s, there was a largely overlooked hot spot for black ballet […]

It’s our 90th anniversary! To celebrate, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we’ve documented over the decades. Ted Shawn surveys the construction of the Jacob’s Pillow theater, 1942 Courtesy DM Archives Trisha Brown (right) and company walking on the Great […]

We’re not ashamed to admit it: The Dance Magazine staff is a big bunch of dance history nerds. But we also know that, sometimes, learning about our art form’s past via textbook can feel stale. That’s why we completely lost it (in a good way) when Seet Dance, a contemporary school in Sydney, Australia, contacted […]