For the last 18 years, Lloyd Knight has been a member of the Martha Graham Dance Company, where he has been a principal since 2014. And though he deeply loves the Graham repertory and technique, and has made strong impressions in many of Graham’s works, he is always looking for more. “I don’t want to be put in a box,” he says.

Rarely has a biographer stretched our knowledge of her life and times as much as Neil Baldwin in his new book, Martha Graham: When Dance Became Modern.

How much should you personalize the audition material, imbue it with a sense of who you are, express­? After all, isn’t that exactly what art asks of artists?

Spring is here, and while we’re not packing into theaters the way we have in previous years just yet, there’s still a good amount of dance happening. Ballet in Bloom Pacific Northwest Ballet in Alexei Ratmansky’s Pictures at an Exhibition Angela Sterling, Courtesy PNB Pacific Northwest Ballet is skipping the April showers and blooming directly […]

If you made it through several cuts but didn’t land a contract, you’re probably wondering what went wrong. It’s perfectly acceptable to ask for feedback—if you go about it the right way. Here’s how company and casting directors want to hear from you so you’ll be remembered for your dancing (not for nagging). DON’T Follow […]