How can we honor and preserve history without repeating the same mistakes over and over? How can we reimagine classics to center a variety of voices and speak to diverse audiences—not simply to avoid offending anyone, but to actively invite and include everyone? How can we propel the dances we know into a new era, so they—and ballet—can flourish into the future?

Planning for optimal performance isn’t just important this winter, it should be a priority. Whether you’re dancing in Nutcracker, a winter workshop or a studio showing, nutrition will play a key role in optimizing your full potential onstage.

Festival Ballet Providence is debuting a new Nutcracker this December—an unexpected move when the ballet is many companies’ most financially reliable warhorse.

With most live Nutcracker performances canceled this year, many companies are planning to present footage of past productions digitally instead. But for some, there’s a snag: The video is from a few years ago, and the second act might come across as racist. Now what? How can companies still provide digital access for their communities […]

To some dancers, a winter without The Nutcracker may seem like a gift. No Tchaikovsky on an endless loop. No missing real parties to dance in the party scene. No pulling fake snow out of your hair. It’s the stuff that burned-out ballerinas might dream about in mid-December. But, true to E.T.A. Hoffmann’s original “Nutcracker […]

Few people who are busier during the holidays than corps members of American ballet companies. December is officially Nutcracker season—a company’s chance to earn a huge chunk of their revenue for the year, and a dancer’s chance to go a little, ahem, nuts, waltzing and swallowing fake snow night after night for weeks on end. […]

Most ballet administrators will admit that they hear the tinkling of a celesta each December and think “Ka-ching!” Performing The Nutcracker generates revenue to fund the remainder of many companies’ seasons. But what if families didn’t wait 12 months to return? While not every 6-year-old is ready to sit through Swan Lake, some enterprising troupes […]

A few months ago, Dayton Ballet’s artistic director, Karen Russo Burke, approached Miranda Dafoe with an unorthodox idea: She wanted to cast a woman in the role of the Nutcracker in the company’s holiday production, and she was tapping Dafoe. “I honestly was pretty shocked,” says the Dayton Ballet dancer. “But the more I thought […]