Here's a List of Everything We Know About the CATS Movie
If the news about the upcoming CATS movie has your head spinning, we're right there with you. It seems like every week we have a bit more to share about the new film adaptation, which is set to release in December 2019. So, in order to keep it all straight, we present you with our master list of everything we know—our version of "The Naming of Cats," if you will. We'll add updates as they emerge.
Andy Blankenbuehler stepped in to choreograph for the movie after Wayne McGregor left the project. Photo by Jeremy Daniels
Though Wayne McGregor was initially tapped to choreograph and held auditions this summer to fill dancer roles, it was announced in late November that he needed to step away from the film due to scheduling conflicts with The Royal Ballet. Broadway maestro Andy Blankenbuehler was called in to save the day—the obvious choice, given that he choreographed the 2016 Broadway revival.
The cast is overflowing with Hollywood A-listers.
Idris Elba is set to play Macavity. Image via Wikimedia Commons
We learned in July that Jennifer Hudson, Sir Ian McKellan, Taylor Swift and James Corden would all be stepping into catsuits. The cast list has since expanded to include Idris Elba, Dame Judi Dench, Jason Derulo and Rebel Wilson—and we're sure there's more to come.
Royal Ballet dancers join the cast
Francesca Hayward, here in Manon, is reportedly playing Victoria. Photo by Alice Pennefather, Courtesy ROH
The Royal Ballet announced in early November that both Francesca Hayward and Steven McRae would be taking leaves of absence to appear in the CATS film. They're reportedly playing Victoria and Skimbleshanks, respectively. The company later confirmed a rumor that soloist Olivia Grace Cowley will also be appearing in the film.
Robert Fairchild to play Munkustrap
Robert Fairchild is the most recent top-notch dancer to join the cast. Photo by Jayme Thornton
Speaking of "The Naming of Cats," Variety is reporting that former New York City Ballet principal dancer and Tony nominee Robert Fairchild has been cast as Munkustrap. Given his Broadway bona fides, excellent dancing chops and inimitable charm, we aren't at all surprised—who better to lead us through the opening number that introduces us to the world of CATS?
Les Twins and Eric Underwood join cast as filming gets underway
According to Deadline, former Royal Ballet soloist Eric Underwood and "World of Dance" alums Les Twins (Larry and Laurent Bourgeois) are among the starry dance talent working on the film, which just began principal photography. The site also confirmed Francesca Hayward's casting as Victoria.
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- Cats (2019) - IMDb ›
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The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?
Capezio, Bloch, So Dança, Gaynor Minden.
At the top of the line, dancers have plenty of quality footwear options to choose from, and in most metropolitan areas, stores to go try them on. But for many of North America's most economically disadvantaged dance students, there has often been just one option for purchasing footwear in person: Payless ShoeSource.
When Sonya Tayeh saw Moulin Rouge! for the first time, on opening night at a movie theater in Detroit, she remembers not only being inspired by the story, but noticing the way it was filmed.
"What struck me the most was the pace, and the erratic feeling it had," she says. The camera's quick shifts and angles reminded her of bodies in motion. "I was like, 'What is this movie? This is so insane and marvelous and excessive,' " she says. "And excessive is I think how I approach dance. I enjoy the challenge of swiftness, and the pushing of the body. I love piling on a lot of vocabulary and seeing what comes out."