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Peter Martins Has Retired from NYCB Amidst Misconduct Allegations
Yesterday evening, Peter Martins announced his immediate retirement as New York City Ballet's ballet master in chief through a letter to the company's board. He had been solely in charge of the company's artistic direction since 1989 and the School of American Ballet's chairman of faculty since 1983. Since December 7, Martins had been on a self-requested leave, amidst an investigation of claims of sexual harassment as well as physical and verbal abuse. In the letter, he stated, "I have denied, and continue to deny, that I have engaged in any such misconduct." However, earlier articles from The New York Times and The Washington Post conveyed accounts of verbal and physical abuse by NYCB dancers, both past and present. In 1992, Martins was charged with third-degree assault of his wife Darci Kistler, though the charges were later dropped.
Despite Martins' resignation, the board emphasized in a statement, also released on Monday, that the investigation will continue until it is completed and that "the board takes seriously the allegations that have been made against him."
Martins' departure also follows his arrest this past Thursday. He was charged with driving while intoxicated.
Justin Peck, Jonathan Stafford, Rebecca Krohn and Craig Hall remain in place as NYCB's interim leadership team announced last month. However, a New York Times article mentioned the board's plan to quickly form a committee to find Martins' permanent replacement. NYCB fans have been speculating about who the next director could be, with names like Wendy Whelan, Justin Peck and Benjamin Millepied thrown into the ring. But dance critic Alastair Macaulay shrewdly points out that the majority of these fan-nominated directors do not fit the company's longtime model of a leader who teaches, directs and choreographs as George Balanchine, and later Peter Martins, did.
Reactions from NYCB's dancers have been varied throughout the past month, with some speaking out about misconduct and others championing Martins and expressing sorrow or making it clear that they have not witnessed such actions. Despite the division, the company is poised for a new chapter. Its next steps will set the tone for its future, and ballet companies worldwide will be watching. Hopefully, NYCB will establish new standards for how its dancers are to be treated.
The revival of everything '90s has been in full-swing for a while now—we saw Destiny's Child reunite at Coachella, Britney Spears is headed back on tour, and the Spice Girls miiight be performing at the Royal wedding next month. But Hollywood saved the best '90s moment for last, bringing *NSYNC back together to receive their official star on the Hollywood Walk of Fame on April 30.
Because we love a good dance #TBT, we're reliving five of the boys' best dance moments.
"I Want You Back"
The band's first single from their self-titled debut album in 1998, "I Want You Back," was the start of their takeover (and their choreographed dance moves).
Looking for your next audition shoe? Shot at and in collaboration with Broadway Dance Center, Só Dança has launched a new collection of shoes working with some pretty famous faces of the musical theater world! Offered in two different styles and either 2.5" or 3" heels, top industry professionals are loving how versatile and supportive these shoes are! Pro tip: The heel is centered under the body so you can feel confident and stable!
When I wrote about my struggle with depression, and eventual departure from dance because of it, I expected criticism. I was prepared to be challenged. But much to my relief, and horror, dancers from all over the world responded with support and stories of solidarity. The most critical response I saw was this one:
"Dance isn't for everyone."
This may as well be a mantra in the dance world. We have become entrenched in the Darwinian notion that the emotionally weak will be weeded out. There is no room for them anyway.
Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.
"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "
Gina Gibney runs two enormous dance spaces in New York City: Together they contain 23 studios, five performance spaces, a gallery, a conference room, a media lab and more. Gibney is now probably the largest dance center in the country. It's not surprising that Dance Magazine named Gina Gibney one of the most influential people in dance today.
One of the biggest myths about ballet dancers is that they don't eat. While we all know that, yes, there are those who do struggle with body image issues and eating disorders, most healthy dancers love food—and eat plenty of it to fuel their busy schedules.
Luckily for us, they're not afraid to show it:
What does a superstar like Carlos Acosta do after bidding farewell to his career in classical ballet? In Acosta's case, he returns to his native country, Cuba, to funnel his fame, connections and prodigious energies back into the dance scene that formed him. Because of its top-notch, state-supported training programs and popular embrace of the art of dance, Cuba is brimming with talented dancers. What it has been short on, until recently, are opportunities outside of the mainstream companies, as well as access to a more international repertoire. That is changing now, and, with the creation of Acosta Danza, launched in 2016, Acosta is determined to open the doors even wider to new ideas and audiences.
There's so much more to the dance world than making and performing dances. Arts administrators do everything from raising money to managing companies to building new audiences. With the growing number of arts administration programs in colleges, dancers have an opportunity to position themselves for a multifaceted career on- or offstage—and to bring their unique perspective as artists to administrative work.
While Solange was busy helping big sis Beyoncé give Coachella its best performances of all time, an equally compelling project was quietly circulating on Instagram:
New York City Ballet continues its first year without Peter Martins at the helm as our spring season opens tonight.
When he retired at the start of the new year, we plunged headfirst into unknown, murky waters. Who would the new director be? When would we know? Would we dancers get some say in the decision? Who would oversee the Balanchine ballets? Who would be in charge of casting? Would a new director bring along huge upheaval? Could some of us be out of a job?