Cross-Train Like David Hallberg: His Stair Running Regimen
While David Hallberg was recovering from Achilles tendinopathy, one of the treatments that the Australian Ballet rehab team gave him was a stair running exercise. "This is an exercise David needs to continue to do forever, every day," says AB's principal physiotherapist Sue Mayes.
The basic idea is to run up and down flights of stairs to the beat of a metronome in order to monitor and challenge the intensity and volume of loading on the Achilles tendon. The exercise simultaneously strengthens the tendon and provides a cardiovascular workout.
Try it: Begin in a gradual way, taking slow steps up and down stairs on a low relevé. The goal is to find a position where the heel is lifted but can remain stable (this may be half the height of your normal relevé). At first, the ankle should not move at all as you take slow steps up and down. Maybe it is only a few stairs, or one flight to start. Eventually, you can add more stairs/flights.
Why use a metronome? Setting a steady beat ensures an uniform pace. "Keeping a consistent pace with a metronome helps both on a cognitive level and to maintain a consistent tendon load," explains Mayes. The tempo should be slow at first, to allow you to control the alignment of your ankle. Gradually, you can increase the speed.
The goal: As you increase speed and the number of stairs over time, you can add more range of motion in your ankle, and the slow steps you have been practicing can develop into more of a bounding type of action up and down.
Hallberg's approach: To keep his Achilles tendon strong and resilient, Hallberg now does this daily, for a 20-minute interval, skipping steps on the ascent to a beat of 165BPM.
Essential oils sometimes get a bad rap. Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do. But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
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Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."