A Comprehensive Guide to All the Best JbDubs Videos
Our August cover star James Whiteside isn't just a principal dancer at American Ballet Theatre (as if that isn't accomplishment enough!). He's also a pop star named JbDubs, who makes clever, danceable music and sheds his princely onstage persona for a flamboyant, raunchy one. Needless to say, his music videos feature some incredible dancing—from hip hop to jazz to ballet—and some hilarious characters.
We rounded up the best of them—you can thank us later.
For Ballet Dancers Getting Down & Dirty
An homage to Britney Spears and to Whiteside's unapologetic "take me or leave me" attitude, "NYC Piece of Me" is classic JbDubs at his finest. Featuring American Ballet Theatre dancers Cassandra Trenary, Calvin Royal III and Courtney Lavine and English National Ballet dancer Jeffrey Cirio, the video shows that ballet dancers can get way outside their comfort zones, and look good doing it.
For "Single Ladies"-esque Heels Work
"I Hate My Job" is the JbDubs oldie but goodie we keep coming back to. Filmed back when Whiteside was dancing at Boston Ballet, the video features a "Single Ladies"–inspired heels trio including then-colleagues Bradley Schlagheck and Lawrence Rines. As always, the lyrics are as inventive as the video, with lines like: "So I'm a regulation hottie you a Star Wars yeti / If I am Wilhelmina then you are Ugly Betty."
For Six Times the JbDubs
"Pantywaister" stars JbDubs alongside...JbDubs. Whiteside dances with six of his alter-egos in this video (see if you recognize any of them from the ballet stage!) about reclaiming the derogatory names he's been called.
For Drag Queens and Foulmouthed Lyrics
In case you forgot that Whiteside has yet another personality as drag queen Ühu Betch, "Dirty Mouth" features the other members of his drag family The Dairy Queens, Milk and Skim Burley. We're not sure who those ladies in pig masks are, though we have some guesses based on their 180-degree extensions.
For Gorgeous Choreo in A Horror Movie Set
"The Vault" features a steamy, bloody duet for a rather scary JbDubs and an unassuming Garen Scribner. But the dancing is anything but horrifying—in fact, the intimate choreography is some of the most striking of JbDubs' videos.
For Ridiculous Outfits (And A Little Ballet!)
Dubbed "a super pretentious fashion and movement film," "The Fanny Bounce" is basically one big ridiculous fashion show, featuring designs from Reid & Harriet as well as more farcical pieces like a Bart Simpson crop top.
The Primetime Emmy Award nominations are out! Congrats to the seven choreographers who earned nods for their exceptional TV work this year. Notably, that work was made for just two shows, "So You Think You Can Dance" and "World of Dance."
And there was a particularly remarkable snub: While the dance-filled hit "Fosse/Verdon" earned 17 nominations across many of the major categories, Andy Blankenbuehler's fabulous Fosse remixes weren't recognized in the Outstanding Choreography field.
Here are all the dance routines up for Emmys:
"Dancers can do everything these days," I announced to whoever was in earshot at the Jacob's Pillow Archives during a recent summer. I had just been dazzled by footage of a ballet dancer performing hip hop, remarkably well. But my very next thought was, What if that isn't always a good thing? What if what one can't do is the very thing that lends character?
Capezio, Bloch, So Dança, Gaynor Minden.
At the top of the line, dancers have plenty of quality footwear options to choose from, and in most metropolitan areas, stores to go try them on. But for many of North America's most economically disadvantaged dance students, there has often been just one option for purchasing footwear in person: Payless ShoeSource.
When Sonya Tayeh saw Moulin Rouge! for the first time, on opening night at a movie theater in Detroit, she remembers not only being inspired by the story, but noticing the way it was filmed.
"What struck me the most was the pace, and the erratic feeling it had," she says. The camera's quick shifts and angles reminded her of bodies in motion. "I was like, 'What is this movie? This is so insane and marvelous and excessive,' " she says. "And excessive is I think how I approach dance. I enjoy the challenge of swiftness, and the pushing of the body. I love piling on a lot of vocabulary and seeing what comes out."